"A natural feel for melody"
Nicola Benedetti
"The sound of heavenly beauty"
Maxim Vengerov
"A brilliant player with a bright future ahead"
Suzi Klein
"A natural feel for melody"
Nicola Benedetti
"The sound of heavenly beauty"
Maxim Vengerov
"A brilliant player with a bright future ahead"
Suzi Klein
Dennis Evans

The Pump Room, Bath
The Pump Room, Bath
St Margaret's Putney, Putney Park Lane, London, SW15 5HU
St Margaret's Putney, Putney Park Lane, London, SW15 5HU
Fairford Church
Fairford Church
Kennedy Center, Millennium Stage, Washington DC, USA
Leora and Ariel Lanyi play Mozart, Schumann and Gershwin
Kennedy Center, Millennium Stage, Washington DC, USA
With James Ross, conductor

Leora Cohen is a British-American violinist. She enjoys a diverse career, performing as a recitalist, soloist and ensemble musician around the world. Leora graduated with a double first class (summa cum laude) from Cambridge University and has been awarded two Diplomas with Distinction by the Royal College of Music in London. Previous professors include Remus Azoitei, Ani Schnarch and Alexander Gilman.

Leora made her concerto debut at 16, performing Lalo’s Symphonie Espagnole at St John’s Smith Square, London. Before graduating from high school, she went on to perform concertos by Brahms, Mendelssohn, Mozart and Sarasate with London orchestras.
During her studies at Cambridge, she appeared regularly as a soloist with university orchestras, with a particular interest in Baroque repertoire. In 2020, she performed Beethoven’s Violin Concerto at Cambridge’s main concert hall and was a finalist in the Sir Karl Jenkins Music Competition. During the pandemic, she also appeared on The Violin Channel in performances and recordings, including a masterclass with Michael Vaiman featuring Shostakovich’s First Violin Concerto.
At the Royal College of Music, Leora joined the LGT Young Soloists, performing internationally for members of the Liechtenstein Royal Family at private functions and palaces. She was selected to open the 2022 Heidelberg Festival as soloist in Kreisler’s Alt-Wiener Tanzweisen, and later performed Mendelssohn with the RCM Symphony Orchestra in a live-streamed masterclass with Maxim Vengerov.
Since graduating, Leora has performed regularly as a soloist with the Albion Chamber Orchestra and Piccadilly Sinfonietta in London, and with a number of orchestras across the UK.

Leora is drawn to innovative recital programming and close collaboration with duo partners. Her imaginative approach led her to curate a series of live shows including a celebration of the late Carl Davis’s iconic Pride and Prejudice score. In recent years she has founded the Josef Chasyd Quartet and the folk band, Rhapsodic Roots. Leora also has a distinct approach to, and passion for, contemporary music that is respected by many composers, who have written and dedicated music to her. Leora was a chamber music award holder at Cambridge University and has played chamber music on BBC Radio, and at the prestigious London venues Kings Place and Wigmore Hall.

Leora is a prominent concertmaster of her generation, having taken up her first orchestral leadership posts at a young age. She is a former concertmaster of the National Youth Orchestra of Great Britain, Royal College Symphony Orchestra and Cambridge University Orchestra, and has led concerts under conductors including John Wilson, Sir Mark Elder, Sir Antonio Pappano, Jac van Steen and Thomas Adès, collaborating with soloists such as Sheku Kanneh-Mason, Guy Johnston, Alim Beisembayev and Tom Poster.
Her orchestral leadership has received acclaim from leading music critics and broadcasters. At the 2017 BBC Proms, she was introduced live on BBC Radio and television by Suzi Klein as “a brilliant player with a very bright future ahead of her”. She has since appeared as concertmaster in major concert halls and international festivals, including Festival Berlioz.
Leora has also performed alongside the Royal Concertgebouw Orchestra, London Sinfonietta, Philharmonia, BBC Symphony Orchestra, English National Ballet, Orchestra of the Age of Enlightenment, Helsinki Philharmonic and Chamber Orchestra of Europe. She currently performs regularly with ensembles including Royal Northern Sinfonia, English Chamber Orchestra and Chineke!.
"Young British-American violinist Leora Cohen...brings a a wonderful range of colours and nuance to the Three Poems for Violin and Piano, matching Honeybourne’s playing with a remarkable sure-footedness, sensitivity and musical maturity." - Francis Wilson
"Reason’s ability to combine the sounds of violin and piano – enhanced by the resonant acoustic of the recording as well as the superbly controlled and judged playing of Leora Cohen – whets one’s appetite for her larger-scale works" - Paul Corfield Godfrey
Help Musicians UK
The Stephen Bell Trust
The Countess of Munster Musical Trust
The MCSC/H.S. Barlow Charitable Foundation
The Loan Fund for Musical Instruments
Cambridge University
The Royal College of Music
Joyce Fretwell
Norman Rosenberg
Dennis Evans
Miles and Anna Kibort Hember
Those who wish to remain anonymous
Talent Unlimited
The Harrison-Frank Family Foundation
The Guild of Friends
Florian Leonhard Fine Violins
The Honourable Society of Knights of the Round Table
Cambridge Violin Workshop
Leora is currently seeking sponsorship to purchase an instrument. To find out more, or discuss kindly contributing to or helping to raise the funds for this investment, please don't hesitate to contact her.
























Composed in around 1898, this sonata is the later of two that Stanford wrote for violin and piano. It belongs to Stanford’s period of full compositional maturity and is most obviously influenced by the violin sonatas of Johannes Brahms. Despite the positive reception of its single performance during Stanford’s lifetime, the Sonata disappeared from the repertoire for over a century until it was recorded for Hyperion in 1999 and finally published in 2006.
Public masterclass with Maxim Vengerov and the RCM Symphony Orchestra
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